On-sale day has no rehearsal. It holds, or you lose the tour
Every date of the tour in one panel: prices per city, standing and seated capacity on the real floor plan, named tickets against touting and separate settlement per local promoter. Commission per ticket sold. No setup fee and no monthly charge per date.
The tour is one thing, but every city gets built as if it were the first.
With classic ticketing
- Every date is set up from scratch, with its own prices and floor plan
- The on-sale falls over exactly when everyone arrives at once
- Tickets show up resold at triple the price within the first week
- Each local promoter settles on their own spreadsheet and calendar
- The audience data stays with the platform, not with you
With the tour platform
- Duplicate the date, change city, venue and prices, and go on sale
- The on-sale runs through a queue and the system stays up
- Named tickets and dynamic QR: street touting stops working
- Every date settles separately, with its own split and promoter
- The tour's audience lands in your database, city by city
From the first date announced to the last settlement
One tour, every date
Duplicate a date with its entire configuration and change only city, venue, capacity and prices. Twelve cities can't cost twelve setups.
An on-sale that holds
Queue and high-pressure selling for the minute when everyone arrives at once. It's the one moment of the year the system genuinely has to hold.
Standing, seated and pit
Each venue's real plan drawn in the map editor: numbered seats where they exist, standing capacity by zone where they don't, and a golden circle if the artist asks for one.
Resale on your terms
Named tickets and dynamic QR against street touting, plus a controlled resale market with your rules and your commission when a date sells out.
Price per city
Every market is its own: different prices per date, early bird tiers and dynamic pricing where demand calls for it.
Settlement per date
Each show closes with its box office, its costs and its split with the local promoter. The tour reads whole and date by date.
A tour is twelve cities and one on-sale. It shouldn't be twelve systems.
The tour's audience is yours, not the platform's that sold it
A concert promoter builds the tour, risks the fee and pays for the advertising; and when it's over, the one holding the list of who bought is the ticketing platform. Not here: every buyer in every city enters your database, with their consent and their history. The same artist's next tour doesn't start from zero on ad spend, it starts by telling the twelve thousand who already came.
The whole tour in a single system
From the announcement post to closing the last date.
What concert promoters ask us
Does it hold an on-sale with thousands of people at once?+
That's what the queue is for: the audience comes in in order instead of everyone hitting the same second. It's the scenario we test most, because it's the one that decides the tour.
Can I set different prices in each city?+
Yes. Every date has its own prices, early bird tiers and capacity, even while sharing the tour's configuration. And dynamic pricing by demand where it's worth it.
How do you stop speculative resale?+
Named tickets and a dynamic QR that expires and regenerates, so a resold screenshot doesn't get in. And if you want resale to exist, make it yours: a controlled market with your rules, your price cap and your commission.
Does it work for venues without numbered seating?+
Yes. Standing capacity is managed by zone with its own limit, and it combines with numbered seating in the same venue where that exists.
How do you settle with each city's local promoter?+
Every date is its own economic unit: box office, costs and split. It closes per show and reads aggregated at tour level.
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