Every night is a new event. Your audience should compound
Fast sales for dates announced two weeks out, guest lists and comps at the door, dynamic QR, a bar with its POS and data that stays with you: who came, what they came for and what they spent. A fee per ticket sold. For a venue programming every week, the model matters.
Programming thirty nights a month with single-event tools.
With classic ticketing
- Setting up each show in the system is a job in itself
- The guest list lives in a spreadsheet that dies at the door
- Your crowd is anonymous: they come, they pay, they disappear
- The bar and the box office close separately, by hand
- Software subscriptions eat into thin margins
With the venue's platform
- Duplicate the event, change the date and line-up, and sell
- Digital guest lists and comps the door validates on a phone
- Every attendee builds history: genre, frequency, spend
- Box office and bar in the same close
- No monthly fee: you pay per ticket sold
The operation of a venue, night after night
Fast show setup
Duplicate a previous event, change the date, line-up and prices, and it's on sale. A weekly programme can't cost you an afternoon per show.
Guest lists and comps
Guests, press and external promoters on digital lists the door resolves with a phone — no paper, no arguments.
A door with dynamic QR
Validation in one gesture, no double entries and no resold screenshots. The entry queue moves at the pace of the show.
A bar with POS
Fast orders, live stock and a per-bar close in the same system as the box office. In beta with pilots.
An audience that compounds
Who comes, how often and for what: your audience's history tells you which line-up fills a Tuesday and who to tell about the next show.
Resale that never hits the street
If a night sells out, controlled resale reallocates the tickets with your rules and your fee.
A venue lives on repeat business: the same crowd, the next show.
A venue's margin is in the repeat visits, not the single show
A venue doesn't live off one event: it lives off people coming back. Every night that runs through the system leaves history — who came, what genre, what they spent — and that history is what turns a slow Tuesday into a full room: you know who cares about the line-up before you spend a euro announcing it. No monthly fee: the software gets paid when you sell.
Everything that happens in the venue, in one system
From advance sales to the bar close, without exporting anything.
What venues ask us
What does it cost for a venue with weekly programming?+
A fee per ticket sold, with no setup fee and no monthly fee. A quiet night doesn't generate a software bill.
Can I manage guest lists?+
Yes: guests, press and external promoters go on digital lists the door validates with a phone. No printed spreadsheet, no arguments in the queue.
Can I sell on the door?+
Yes, door sales go into the same inventory and the same close as advance sales.
What data do I keep from each night?+
Attendance, sales pace, each attendee's history and, if you use the POS, bar spend. All yours, for programming and for filling the next date.
How do I set up a new show?+
By duplicating a previous one: change the date, line-up and prices and it's on sale. Setup can't be the bottleneck of a weekly programme.
Ready to professionalize your box office?
Schedule a 15-minute demo and discover how we can help you.
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