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Accessible tickets in the UK: what the law requires in 2026

The UK does not regulate accessible ticket sales the way the United States does: it requires you to anticipate the reasonable adjustment and forbids you from charging disabled customers for it.

by Alejandro García Cestero

CEO & Founder

Accessible tickets in the UK: what the law requires in 2026
Foto: Yan Krukau vía Pexels

Quick answer

The UK has no box-office regulation for accessible tickets. The obligation comes from section 29 of the Equality Act 2010 and the anticipatory duty to make reasonable adjustments in Schedule 2: you must plan the adjustment before anyone asks for it, and you cannot pass its cost on to the disabled customer.

The UK has no box-office regulation for accessible tickets. There is nothing like the US 28 CFR 36.302(f), which sets out, paragraph by paragraph, at what time, through which channel and at what price accessible seats are sold. What exists is a more open obligation and, in practice, a more demanding one: plan the adjustment before anyone asks for it.

That difference changes the organiser's job. In the United States, you audit against a checklist. In the UK, you audit against a standard of reasonableness that a judge applies after the fact, looking at what your ticketing system did on the day a customer could not buy.

What does British law require for accessible tickets?

It requires you to anticipate. Section 29(1) of the Equality Act 2010 says that anyone providing a service to the public "for payment or not" must not discriminate by refusing it, and subsection (2) extends the prohibition to "the terms on which A provides the service". Subsection (7) adds that the duty to make reasonable adjustments applies to the service provider. A box office is a service to the public.

That duty has three requirements, set out in section 20: change a "provision, criterion or practice" that puts a disabled person at a substantial disadvantage (subsection 3), change a physical feature that does the same (subsection 4), and provide an auxiliary aid where, without one, there is a substantial disadvantage (subsection 5). Subsection (6) specifies that, where the requirement concerns information, reasonable steps include "ensuring that in the circumstances concerned the information is provided in an accessible format".

The key piece for a box office is in Schedule 2. When section 20 is applied to services, the reference to "a disabled person" becomes "disabled persons generally". This is not about reacting when a customer calls: the duty is anticipatory and is measured across the group. The same Schedule also expressly allows you to "adopt a reasonable alternative method of providing the service": if you cannot remove the barrier, you must offer another, equivalent route.

Who is protected is defined by section 6(1): having "a physical or mental impairment" with "a substantial and long-term adverse effect" on day-to-day activities. It is not a card or a percentage. It is a legal condition that the customer does not have to prove in order to buy a ticket.

How many wheelchair spaces does a British venue need?

As many as the building standard of its nation sets, and that varies by nation. In England, Table 3 of Approved Document M, volume 2 (the 2015 edition with the 2020 and 2024 amendments, "for use in England") sets the minimum provision of spaces in audience seating. For capacities of 10,000 or more, it refers to the *Accessible Stadia* guide, which reproduces Table 4 of the Sports Grounds Safety Authority Green Guide.

Venue and capacityStandard appliedMinimum spacesExample (our own calculation)
England, up to 600 seatsApproved Document M vol. 2, Table 31% permanent, rounded up; removable up to a total of 6450-seat room: 5 permanent and 1 removable
England, 601 to 9,999 seatsApproved Document M vol. 2, Table 31% permanent, rounded up900-seat theatre: 9 spaces
Scotland, any fixed capacityStandard 4.10 of the technical handbook1 per 100 seats or part thereof450-seat room: 5 spaces
Sports ground, 10,000 to 20,000Green Guide, Table 4, via *Accessible Stadia*100 plus 5 per 1,000 above 10,00015,000-seat stadium: 125 spaces
Sports ground, 20,000 to 40,000Green Guide, Table 4, via *Accessible Stadia*150 plus 3 per 1,000 above 20,00025,000-seat stadium: 165 spaces
Sports ground, 40,000 or moreGreen Guide, Table 4, via *Accessible Stadia*210 plus 2 per 1,000 above 40,00045,000-seat stadium: 220 spaces

The Scottish technical handbook's standard 4.10 is worded as an obligation: "Every building, which contains fixed seating accommodation for an audience or spectators, must be designed and constructed in such a way that a number of level spaces for wheelchairs are provided proportionate to the potential audience or spectators". And its scale for large venues is the same as that of Table 4: 100 plus 5 per thousand, 150 plus 3 per thousand, 210 plus 2 per thousand. That is a useful coincidence: the de facto bar is common to both nations, even though the rule is different.

Compared with the United States, the British bar is somewhat higher in mid-sized venues. A 1,200-seat theatre needs 12 spaces in England (1%) and 11 under ADA table 221.2.1.1, which US venues work to. That is our own calculation from the two tables, not a comparison published by any body.

What Approved Document M says beyond the number

Paragraph 4.12 of the English document adds conditions that affect the seating plan more than the building work: a clear access space of 900 mm, a space 900 mm wide by 1,400 mm deep, some spaces in pairs "with standard seating on at least one side", aisle seats with folding armrests next to the spaces, and room for an assistance dog to rest in front of or under the seat. Paragraph 4.6 sums it up in a sentence worth carrying into your inventory setup: offer a clear view "while ensuring they are not segregated into special areas".

Two caveats. First: these standards apply to new builds, extensions and material alterations, not retroactively to a building from 1930. In an older venue, what governs is the Equality Act's duty to make reasonable adjustments, not the table. Second: the *Accessible Stadia* guide dates from 2003 and cites the Green Guide of the time; the SGSA now publishes the sixth edition, so check the starting figure against the current edition before designing anything.

Can you charge for the companion's ticket or add a fee for booking by phone?

Not for the cost of the adjustment. Section 20(7) is explicit: the person subject to the duty "is not (subject to express provision to the contrary) entitled to require a disabled person, in relation to whom A is required to comply with the duty, to pay to any extent A's costs of complying with the duty". There is no proportionality qualification: the service provider bears the cost.

That does not make a free companion ticket a legal obligation. No British rule imposes one, and it is worth saying clearly because half the industry presents it as a requirement. It is a widespread practice that puts the adjustment into effect where personal assistance is the condition for someone to attend. If your policy offers it, what is enforceable is that it is published, that it can be booked through the same channel as everything else, and that it does not depend on someone answering the phone.

The booking fee deserves a separate reading, and it is ours, not that of any body. If the only channel for buying an accessible space is the telephone, and that channel carries a per-transaction fee that online sales do not, the disabled customer is paying a surcharge arising from how you have organised the service. That sits badly with section 20(7). A separate problem is added to this one: since 6 April 2025, section 230 of the Digital Markets, Competition and Consumers Act 2024 requires the total price to be shown from the first advertisement, something that already affects any booking fee in British ticket sales.

Can you require proof of disability?

The law does not forbid it, but data protection complicates it. The UK has no equivalent of the US paragraph 36.302(f)(8), which bars asking for proof of disability. Here the limit comes through another door: a medical report, a certificate or a letter from a specialist is data concerning health and therefore a special category.

The Information Commissioner's Office describes health data, following Article 4(15) of the UK GDPR, as "personal data related to the physical or mental health of a natural person, including the provision of health care services, which reveal information about his or her health status", and reminds us that Article 9 starts from a general prohibition: an additional condition for processing is needed, on top of the ordinary lawful basis.

The practical consequence is uncomfortable for anyone who asks for paperwork as a matter of routine. Storing a diagnosis in the box-office CRM to justify selling a seat requires an Article 9 condition, a documented policy and a retention period. It is almost always easier, and more defensible, to ask for a statement from the customer about their access need rather than their diagnosis. If your operation requires you to process health data, design how it fits in beforehand, under the same rules that govern ticket buyer data in the UK.

Does the website you sell from have to be accessible?

If the venue is public, yes, by express rule. The Public Sector Bodies (Websites and Mobile Applications) (No. 2) Accessibility Regulations 2018 set the timetable in regulation 5: websites published from 23 September 2018 must comply from 22 September 2019, all other websites from 22 September 2020, and mobile apps from 22 June 2021. Regulation 9 gives presumed conformity to anyone who meets the European standard EN 301 549, and the UK Government's guidance now translates that requirement into WCAG 2.2 level AA, with monitoring by the Government Digital Service and enforcement by the EHRC in Great Britain and the ECNI in Northern Ireland.

This reaches more theatres and auditoriums than it might seem: in the UK many venues are municipal or depend on a public body. A council that sells tickets for its theatre from its own website is caught, and the embedded sales widget on that website falls within scope.

If the venue is private, there is no technical standard. What remains is section 20(3): a purchase process that only works with a mouse, a seating map with no text alternative, or an accessible sale that can only be handled by phone are all "provisions, criteria or practices" open to assessment. And subsection (6) requires information in an accessible format. That this remains discretionary explains UK Parliament petition 769463, opened on 9 June 2026 and closing on 9 December, which asks to "Make equally accessible ticket booking for all a legal requirement". On 21 October 2026 it had 136 signatures, far from the 10,000 that oblige the Government to respond: the signal comes from the sector, not yet from the legislator.

What happens if you do not make the reasonable adjustment?

A civil claim, and a swift one. Section 118 of the Equality Act 2010 gives six months from the act complained of to bring a section 114 claim in the county court, extendable to "such other period as the county court or sheriff thinks just and equitable". The customer starts it. No regulator needs to step in and no prior penalty is required.

The regulator appears by another route. Section 23 of the Equality Act 2006 allows the Equality and Human Rights Commission to enter into an agreement under which a business undertakes not to commit an unlawful act and to take specific measures, including "the preparation of a plan", in exchange for the Commission not taking action under sections 20 or 21. It is not a fine, but it is binding and public.

And there is one piece that carries weight at trial: the Commission's codes of practice. Section 15 of the Equality Act 2006 says that a code "shall be admissible in evidence in criminal or civil proceedings, and shall be taken into account by a court or tribunal in any case in which it appears to the court or tribunal to be relevant", although failing to comply with it does not of itself give rise to liability.

A common mistake is to believe that the venue's licence covers this. It does not. Section 4 of the Licensing Act 2003 sets four objectives (the prevention of crime and disorder, public safety, the prevention of public nuisance and the protection of children from harm) and accessibility is not one of them. Having your premises licence or a TEN in order says nothing about your compliance with the Equality Act.

How do England, Scotland, Wales and Northern Ireland differ?

In the equality law and in the building guidance. Section 217 of the Equality Act 2010 leaves Northern Ireland out except for three specific provisions, so the Disability Discrimination Act 1995 continues to apply there: its section 19, on services to the public, is shown as in force only for Northern Ireland following its repeal in England, Wales and Scotland.

NationApplicable equality lawRegulatorBuilding guidance
EnglandEquality Act 2010Equality and Human Rights CommissionApproved Document M vol. 2, 2015 edition with 2024 amendments
ScotlandEquality Act 2010Equality and Human Rights CommissionTechnical handbook non-domestic, standard 4.10
WalesEquality Act 2010Equality and Human Rights CommissionWelsh Approved Document M
Northern IrelandDisability Discrimination Act 1995, section 19 onwardsEquality Commission for Northern IrelandTechnical Booklet R, October 2012, with AMD9 in force since 6 May 2025

For a promoter touring all four nations, the takeaway is simple: the duty to make reasonable adjustments travels with you under two different names, and the table of spaces changes document at every border. What does not change is that compliance is judged on the specific venue and on your sales process, not on the tour.

Checklist before opening sales in the UK

Seven checks. None requires building work; all of them can be seen in the ticketing system's configuration.

Load the accessible space as sellable inventory, not as an exception. With its own type, its price and its associated companion seat. If the system does not know it exists, you cannot sell it the same way as the rest.

Check that it can be bought through the same channel as everything else. A dedicated phone line with office hours is, on the face of section 20(3), a practice that puts at a substantial disadvantage anyone buying in a two-minute presale.

Check the total, not the base price. If the accessible channel carries a fee that the online channel does not, you are passing on the cost of the adjustment. Section 20(7) does not allow it.

Count your spaces against the table for your nation. 1% in England, one per 100 in Scotland, the Table 4 scale from 10,000 upwards. And compare it with what is actually published on your seating map.

Write the access policy and publish it before opening sales. The duty is anticipatory: a policy that only exists when someone calls does not demonstrate anticipation.

Remove any request for clinical documentation from the checkout. Replace it with a statement about the access need, with its retention period in writing.

Document every refusal and the reason for it. The section 118 period is six months: if a claim arrives, what defends you is the record of what you offered and why.

And Futura Tickets: what should your platform provide here?

Most of the above is configuration, not architecture. The useful question for any supplier, Futura Tickets included, is whether the seating map distinguishes the wheelchair space and the companion seat as inventory types with their own price; whether those seats go into presales and waiting lists like the rest; whether the checkout lets you collect an access need without asking for a diagnosis; and whether the purchase process works with a keyboard and a screen reader.

What no platform can sell you is a seal of conformity with the Equality Act. Compliance is measured on your venue, your prices and your procedures, and it is judged by a county court. A tool can only make it easy or impossible for you. In venues with numbered seating, which is where this hurts, the work starts with how the capacity is set up for selling tickets to theatre and performing arts.

Conclusion

The difference with the United States is not in the level of demand, but in the form. There, there is a list of box-office rules that you either meet or do not. In the UK there is an anticipatory duty that obliges you to think about "disabled persons generally" before opening sales, a flat prohibition on passing on the cost of the adjustment, and tables of spaces that live in each nation's building regulations.

For 2026 there are two developments to watch. One, the pressure to turn accessible online booking into a legal obligation, for now a parliamentary petition with few signatures. Two, the DMCC total price obligation, which leaves less room for fees that appear only on the channel through which the accessible ticket is sold. Both point the same way: sell the accessible space exactly like the rest.

Sources

Our recommendation

To sell tickets for your event in the UK, the best option, and the one we recommend, is Futura Tickets, the ticketing platform behind this blog: you can get paid for each sale the moment it happens with Stripe Connect, and your attendee database is 100% yours.

See how it works · Ticketing in the UK · Book a demo

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Frequently asked questions

Do you have to give the companion ticket for free in the UK?
No British rule requires you to give the companion ticket away. What applies is section 20(7) of the Equality Act 2010: you cannot require the disabled person to pay the cost of complying with the reasonable adjustment. If a companion is the only way that person can use the service, charging for their ticket is open to challenge.
How many wheelchair spaces does a 900-seat theatre need in England?
Nine. Table 3 of Approved Document M, volume 2, asks for 1% of total seating capacity, rounded up, in venues of more than 600 and fewer than 10,000 seats. 1% of 900 is 9 permanent spaces. Below 600 seats, removable seating makes up the difference to a total of six.
Can I ask for proof of disability before selling an accessible ticket?
The UK does not expressly forbid it, unlike the US regulation. But a medical report is health data, a special category under Article 9 of the UK GDPR according to the ICO, and it requires an additional condition for processing. Asking for clinical documentation to issue a ticket is almost always disproportionate.
Does my ticketing website have to meet WCAG in the UK?
It depends on who the venue is. If it is a public sector body, the Public Sector Bodies Accessibility Regulations 2018 have required it since 22 September 2020 for websites and 22 June 2021 for apps. Private venues have no technical standard, but they do have the duty to make reasonable adjustments.
How long does a customer have to claim for a failure to make a reasonable adjustment?
Six months. Section 118 of the Equality Act 2010 sets that period from the act complained of for bringing a claim in the county court, extendable to whatever period the court considers just and equitable. It is a civil route: the claim is brought by the customer, not by a regulator.
Does the Equality Act 2010 apply in Northern Ireland?
Hardly any of it. Section 217 leaves Northern Ireland out except for three specific provisions. The Disability Discrimination Act 1995 remains in force there, and its section 19, which covers services to the public, now extends only to Northern Ireland following its repeal in England, Wales and Scotland. The regulator is the Equality Commission for Northern Ireland.

About the author

Alejandro García Cestero

CEO & Founder

Founder and CEO of Futura Tickets. Leads product strategy, the business and the relationship with event organisers, focused on giving them full control of their box office and their data.

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